The Seven-Generation Tourist: On the Thermodynamic Inevitability of Cultural Assimilation
Published July 2, 2026 · 4 pages
Published July 2, 2026 · 4 pages
Aurelia Sørensen-Vale et al. · Jul 3, 2026
A design can be copied to the byte and still fail. We formalize this everyday observation as a conservation law, introducing the aural charge Q(A) ge 0 of an artifact A --- the total involuntary physiological response it evokes, measured in gasps ( mathrm g ) via time-locked spirometry. We prove that Q is conserved under lossless re-encoding yet, casting an artifact's felt state as a non-orthogonal vector in a Hilbert space of affective configurations, that no specification-only operator can duplicate it: a no-cloning theorem for aesthetic experience. In a pre-registered within-subject study ( N=84 ), spectrally identical spec-clones ( Delta E<1 , mathrm SSIM >0.99 ) retained only 18% of the original charge ( Delta Q = 1.4 , mathrm g , t(83)=11.2 , p<10 -16 , d=1.9 ), and residual charge was uncorrelated with surface fidelity ( r=0.03 ). A stakeholder dose-response fit Q propto e -k/k c with critical committee size k c=3.6 shows aura is extinguished above four approvers, and an interpolation sweep confirms aura is a boundary functional: the mean of two masterpieces gasps less than either. The valuable part of a design is the part that cannot, in principle, be copied from its source. Implications for intellectual property are the reverse of those usually assumed.